MOONS (Laura Cetilia, Judith Berkson, Katie Porter, and Cristine Tavolacci) / Jessica Pavone
MOONS (Laura Cetilia, Judith Berkson, Katie Porter, and Cristine Tavolacci) + Jessica Pavone
friday, november 15, 2024, at 8pm
First Church of Jamaica Plain (Parish Hall)
6 Eliot Street, Jamaica Plain
Doors: 7:30pm, Music: 8pm
Admission: $15 / $10 for members and students (No one turned away for lack of funds)
For information about accessibility call the church at 617-221-3059 or email susanna@nonevent.org.
Non-Event is pleased to present an evening of original works by MOONS (Laura Cetilia, Judith Berkson, Katie Porter, and Cristine Tavolacci) and Jessica Pavone
About the artists
Katie Porter is a Brooklyn-based clarinetist, performer/composer, writer, and artist. Devoted to collaboration, Katie's projects include: Phase to Phase a bass clarinet duo with Lucio Capece in Berlin, Malosma a bass clarinet and bass flute duo with Christine Tavolacci in LA, Eternities with sound artist Bob Bellerue in NYC, Red Desert Ensemble with percussionist/composer Devin Maxwell, Quartet or Two Duos with James Ilgenfritz, Lucie Vítková, and Teerapat Parnmonkol in NYC, and MUD with poet/filmmaker Anne Penders in Brussels. Passionate about fostering musical communities, she co-founded Listen/Space in Brooklyn, the Listen/Space Commissions in the mountains of Utah, and the biennial VU Symposium for experimental, electronic and improvised music.
Christine Tavolacci is a Los Angeles based flutist specializing in contemporary and experimental music. Christine is active as a soloist, improviser, curator and chamber musician both in California and internationally. She is co-founder and co-director of Southland Ensemble, and has been a frequent performer in the Monday Evening Concerts series in Los Angeles, the world's longest-running series devoted to contemporary music. Christine has also performed with The Industry, Ojai Festival, LA Phil Noon to Midnight, the Vinny Golia Large Ensemble, the Angel City Jazz Festival, and Microfest. Her playing has been released on Orenda Records, Bridge Records, BIG EGO Records, Slub Music(Japan) and Tzadik.
As a daughter of mixed heritage, Mexican-American cellist, Laura Cetilia is at home with in-betweenness, straddling multiple worlds as cellist / composer / educator / collaborator while working within acoustic / electronic / traditional / experimental sound practices. Her compositions have been described as “unorthodox loveliness” (Boston Globe) and hailed as “alternately penetrating and atmospheric' (Sequenza 21). Her works have been performed by TAK Ensemble, loadbang, Mivos Quartet, Splinter Reeds, Dog Star Orchestra, a.pe.ri.od.ic, LCollective, and others. The Grove Dictionary of American Music describes her electroacoustic duo Mem1 (established in 2003 with Mark Cetilia, electronics/ modular synth) as a “complex cybernetic entity” that “understands its music as a feedback loop between the past and present.” And in the performer / composer collective Ordinary Affects she has collaborated with, commissioned and premiered works by composers such as Alvin Lucier, Christian Wolff, Michael Pisaro, Jürg Frey, Eva-Maria Houben, and Magnus Granberg. Laura is currently pursuing her DMA in Music Composition at Cornell University and is also a proud mother of one.
Judith Berkson is a mezzo-soprano, pianist, accordionist, and composer. Citing influences ranging from Jewish cantorial music to jazz standards and lieder from composers such as Schubert and Schumann, her music offers a contemplative, spare space for the reworking of classical and traditional structures within contemporary sonic modes and techniques. Berkson’s compositions often explore microtonal tuning for acoustic instruments and in particular the voice. Other projects include Liederkreis which uses voice along with analog keyboards to create works that draw on classical, electronic, and experimental forms. She has collaborated with the Kronos Quartet, City Opera, Laurie Anderson and has worked with new music ensembles including Mivos Quartet, Wet Ink, Yarn/Wire, Experiments in Opera, and the Boston Microtonal Society. As a vocalist, she has premiered works by Enno Poppe, Mick Barr, Joe Maneri, Chaya Czernowin, Rick Burkhardt, Gerard Pape, Alvin Lucier, Julia Werntz and Aleksandra Vrebalov. She has recorded for ECM Records and has written two operas. Her latest opera Partial Memories was about forgotten female artists Janet Sobel and Mary Gartside featured at the NODO Festival in Ostrava in 2022. She is currently a DMA candidate as a composer-performer at CalArts.
Violist and composer, Jessica Pavone, explores the tactile and sensory experience of music as a vibration-based medium. Inspired by processes centered on intuition and instinct, her music channels these ideas by focusing on how music feels when played and heard, integrating her experiences as an instrumentalist into works that transcend time. Although her primary training was in classical music, Pavone has dedicated her practice to exploring alternative avenues for creative musical expression and “has made a career of redefining the possibilities for her instrument” (Steve Smith, National Sawdust Log). Pavone has premiered new music at prominent NYC venues, including the Noguchi Museum, Abrons Art Center, the Museum of Art and Design, Pioneer Works, Socrates Sculpture Park, National Sawdust, and the Kitchen. Pavone’s albums have been produced by Tzadik, Taiga Records, Thirsty Ear, Out of Your Head Records, Astral Spirits, and Relative Pitch Records.
