Non-Event is a Boston-based concert series devoted to the presentation of the finest in experimental, abstract, improvised, and new music from New England and around the world.

Roméo Poirier / Kristina Warren

Roméo Poirier / Kristina Warren

 
 

Roméo Poirier + Kristina Warren

Friday, November 8, 2024
Doors at 7:30, Performance begins at 8pm


Metropolitan Waterworks Museum
2450 Beacon Street, Boston  
Doors: 7:30pm, Music: 8pm 
Free with RSVP

Note: the museum has limited parking, so please take public transportation or bike, if possible. The museum is a 10-minute walk from the Cleveland Circle stop on the C branch and the Reservoir stop on the D branch of the Green Line.

The museum is fully accessible to people with disabilities. If you have questions, call the museum at 617-277-0065 or email susanna@nonevent.org.

Non-Event, the Goethe-Institut Boston, and Villa Albertine present an evening of site responsive performances in the Great Engines Hall of the Metropolitan Waterworks Museum. Presented as part of the Power(s) of Water Festival.

About the artist
Roméo Poirier is a French electronic musician, who creates highly-textured, hybrid digital-analog sound collages. He has released albums on the London based record label Kit Records (Plage Arrière), the Mancunian label Sferic (Hotel Nota), and Jan Jelinek’s Berlin based imprint Faitiche (Living Room), layering a variety of original and archival recordings from different time periods into a free-flowing pulse that sounds both nostalgic and mysteriously ahistorical.

Kristina Warren is a sound artist, composer, performer, and instrument builder based on Wampanoag and Narragansett land also known as Providence, Rhode Island. Both in solo projects and in collaborative work including curating, Warren believes that collective listening is a precious and political act. Warren uses self-designed and received audio tools to create performances, installations, and recorded works, whose recent “ASMR drone” style uses quieter volumes and careful orchestrations to help audiences perceive their own listening.

 
 
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